i started the day with this cd, i played it through the evening and now its just after 1am and here it is again. the streets performed this evening at doug weston's joint and the evening was enjoyable enough to warrant an not so early morning breakfast at swingers and yet another listen to 'original pirate recording'.
i ran into allison and bobbi at the show and we both had the same question on our minds; how did the other end up here? how did they know of the streets?
bobbi had picked up on it when she was in nyc, i think i have the story straight, and anyway, has been into UK garage for a bit. i told 'em of my summer trip and how it was basically the soundtrack of my UK stay. who knew?
what we didn't really know was, who were all these people showing up at the troub? lots of dudes, of course, but also lots of chicks. some talk went 'round that it was a vice magazine/industry crowd - some wasted dude in the audience yapped out-loud that "all the famous people" would be here - there really wasn't any indication one way or the other as far as i could tell.
strange for a cd that, at least a month ago, was listed at amazon as an IMPORT only - 32 dollars.
apparently there is now domestic.
there was one opening act that started promptly at 9:15 - mr. planktonman or some such. i think he was italian or spanish, and it was a dj with a laptop and a box full of effects or a mixer, couldn't tell. which is what i wonder with this kind of set-up.
the poor bastard had to go on at the early part of the evening - no-one is really drunk yet, and he stands in front of the crowd and seems to twiddle with knobs or type on the keyboard, allegedly, while passable dance music blasts through the joint.
what is supposed to happen? why not just burn a cd?
seems like a tough spot for a "dj" to be in.
the place was packed and primed for mike skinner and his crew; a bass player, drummer, keyboard player and additional singer.
there was not the overpowering sound one expects from shows at the troubador. instead the sound was actually a bit thin, or if not thin, the various instruments as well as backing tracks seemed discern-able, in an inviting way - same with skinners mannerisms, very much just a dude - the production levels attainable, in some kind of imaginary way, to any of us in the crowd.
the instrumentalists did, however, give a kind of cause and effect to the sound making that the laptop/pre-recording based dj/acts just don't have, and thus have a different relationship to the idea of a stage and an audience. people seemed to move much more, at least i did.
the regular geezer seemed to enjoy the crowd and likewise, with cheering contests, some hand shakes and a level of enthusiasm that still seemed based in a good natured self-consciousness. not a cynical show. for the most part, there were faithful representations of 'original pirate material' with some of the vocal stylings re-arranged since they could no longer sound like a young man sitting in his bedroom through a PA. the group performed for an hour with an encore.
it was the feel-good show of this beginning of the school year.